In the Bag

A Kodak Signet 50 that belonged to my uncle.

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What’s in the Bag?

I read somewhere — and can’t for the life of me remember where now — that photographers tend to move through three stages in their relationship to equipment (it’s certainly been true in my case). They’re infatuated with it when they first get into photography; convinced it’s not remotely important to their work as an artiste as they gain a little more experience; then eventually come to realize it’s necessary, but by no means sufficient, to the task of making solid, fine quality images. So, for those who are just starting out or have come back round to paying a bit of attention to the sharpness of an image’s corners, the regretful appearance of unwelcome noise in the shadows, or the number of stops of dynamic range that might have been eked out of a scene, the images on this site were almost certainly shot with some combination of the odds and ends below.

Bodies

Nikon Z7, Nikon D810, Nikon D7000, Olympus OMD EM-10 Mk ii

Lenses

Tamron 15-30 f/2.8, Nikon 24 f/1.8 G, Nikon 24-70 f/4 S, Nikon 50 f/1.8 D, Nikon 70-200 f/2.8 FL ED, Nikon 105 f/2.8 Macro, Nikon 300 f/4 IF ED, Nikon 500 f/5.6 PF

Other Stuff

Think Tank Airport Commuter Backpack, Zomei Z699C Tripod, Benro B3 Ball Head, Yongnuo YN560 TX II Transmitter, Yongnuo YN560 III Speedlites, Godox Softboxes